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Home –› Entertainment –› Music
 

Taking "iPod Culture" into Clubs as Well as Cyberspace: Jonny Rocket Interviewed by The G-Man

 

Author: Scott G

Already making plenty of noise in the marketplace is a new concept called Playlist, which exists both as a club and as an online music competition (see www.ipod-dj.com for details on how to enter and what you can win).

Playlist is attracting attention for several reasons. First, as a part of what some are calling "iPod Culture," Playlist is helping disseminate music to a wide audience. And second, many of us just love the Warholian idea of a bunch of people showing up at a club to be a DJ for 15 minutes of fame.

So far, the Playlist club is only in London, but you can expect them to go global soon because this concept takes social networking and marries it to a party context. And who doesn't like a nice loud party?

Briefly, here's the rundown on the two forms of this new phenomenon:

BRICK-AND-MORTAR PLAYLIST.

You arrive with your favorite 15-minutes of music on an iPod or other digital music player, sign-up (first come, first served) and you play your songs through the club's sound system.

Or you sign up to be a judge of the quarter-hour sets. The best DJs win extra set time and prizes.

Or you just drop by the club and dance.

CYBERSPACE PLAYLIST.

Anyone can register at the Web site and send a 15-minute playlist for judging. Again, there are prizes for the best set. Playlist does not yet feature streaming, downloading or Internet radio broadcasts, but you can bet that these are coming soon.

A BEHIND-THE-SCENES CHAT.

I spoke with Playlist's co-creator, Jonny "Rocket" Evans, who is excited by the unpredictability of his new venture. "What will happen at Playlist? That's just it. We don't know what will happen." Evans is happy to let the audience take control. "We can't say what the music will be, except that it will be diverse. We think it'll appeal to people with broad musical taste, a sense of humor and the desire to have fun. We also think we'll attract artists and musicians, who will want to explore the creative potential of the whole idea."

Evans sees the Playlist concept as inevitable. "I think music is about to enter a new boom time. It's going to be very interesting, because digital downloads (legal and peer-to-peer) have reinvigorated interest in music, and I think the most recent US album sales and downloads figures from SoundScan show this. This also encourages a sense of diversity in the music-loving audience. We think this is going to mean people want the unexpected. And this is why we think the Playlist idea is an idea that reflects its time."

The current consolidation of major media across the globe is somewhat counter-balanced by the Playlist concept. As Evans notes, "In the case of radio, for example, commercial radio playlists are designed to appeal to a particular demographic, which musician and music tsar Feargal Sharkey describes as 'Teenage girls,' as this group statistically buys the most music. And that's not good for music. We think we live at a point in time when digital diversity will propel music sales beyond anything ever seen before. And we really, really like the idea of harnessing a personal technology such as the iPod in a way that transforms it into a collective, social activity such as Playlist."

CHANGING TIMES.

There is a philosophical element in the way Evans describes the culture surrounding Playlist. "Music is at once a deeply personal activity and a deeply social activity, both for players and listeners. I think music is tribal glue. And it's a truism, isn't it, that whenever music marries new technology it sees economic benefit that is good for companies, artists and all involved in the entertainment ecosystem," he states, pointing to the sales figures of firms involved in sheet music, juke boxes, 33rpm vinyl, and clubs, not to mention CDs.

"Playlist is all about the music, not the genre," Evans says. As their manifesto states: "The principle is simple: if you want to share your music, just turn up, sign in and play out. If you want to judge other people's music, turn up, sign up and speak out. If you simply want to party, just turn up, tune in, dance it out."

In the planning stages for months, Playlist is now launching down the block and in cyberspace near you. Everyone can participate, and everyone can be a DJ, at least fifteen minutes at a time.

Web: www.ipod-dj.com

# # #

Author Bio:

Scott G

Scott G, who records under the name The G-Man, made history by giving his music away on the 'Net, encouraging filesharing of his work, and even sending individual tracks to DJs and remixers so they could create new versions of his songs. This resulted in club play, airplay, an indie record deal, a publishing deal, and worldwide press attention.

Scott is also the owner of G-Man Music & Radical Radio, a strategic alliance partner of Venus Music, where he produces award-winning radio commercials and composes music for both radio and TV spots.

He is a creative director of the National Association of Record Industry Professionals, a voting member of NARAS (the Grammy organization), and writes about music for many organizations, including MusicDish and Mi2N. His artist and product reviews are found all over the Internet via the Immedia Wire Service.

His songs have been called "Moby meets Bowie" (by producer Pete Anderson), "Moby meets Devo" (by TV producer Paul Rich), and "The rhythm of machines with melodies of the heart" (Cosmic Circular Spot).

The G-Man's albums are released by Delvian Records. GRIN GROOVE (2002) and ELECTRO BOP (2003) have been hailed as sonic masterpieces by reviewers, and tracks are being played in clubs around the globe: Hollywood, Moscow, Paris, Amsterdam, Brazil, Spain, Australia, and more.

In January, 2004, Delvian Records released THE PLATINUM AGE OF THE REMIX, with G-Man songs in dance/trance mixes by Matt Forger (Michael Jackson, Paul McCartney); RD (who took a G-Man remix to #1 in Russia); DJ Insane (who took a G-Man remix to #5 on a European dance chart); and others.

In March, 2005, Delvian released SONIC TONIC, featuring both electro-pop tunes and trance tracks. Almost immediately, five songs were licensed for use in athletic stadiums and on television programs.

He was named Journalist of the Year at the 1999 Los Angeles Music Awards; he received "Electronica Album of the Year" at the 2002 LAMA., was nominated "Electronica Artist of the Year" in 2003 and received "Trance Album of the Year" in 2004.

His music has been heard in commercials for Verizon Wireless, DIRECTV, Goodrich, Micron, NASSCO, and the Auto Club.

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